FOUR ON THE FLOOR



Performed By: Curtis Macomber, violin; Norman Fischer, cello; Deborah Dunham, bass; and Jeanne Fischer, piano

Instrumentation:
Violin, cello, double bass, piano

Duration: 5 minutes 30 seconds

Commissioned By:
Minneapolis Artists Ensemble

Premiere:
March 6, 1983 by the Minneapolis Arts Ensemble at the Janet Wallace Fine Arts Center, Saint Paul, MN

Available From:
Oxford University Press, distributed by Edition Peters

Composer's Notes:

Four on the Floor is inspired by boogie-woogie. It is a celebration of American music and American musicians. The metronome indication for Four on the Floor is 138-144 to the quarter note, a speed verging on breakneck, and breakneck is the theme of the piece an America that is speeding up faster and faster, jazzing into eternity.

After a short three-bar introduction, the boogie beat is laid down by the piano. Its characteristic use of triplets and a "walking bass" in the left hand continues throughout the piece. A jazzy pizzicato phrase for the three string instruments leads into a slightly slower section which features dialogue between the strings (playing in rhythmic unison) and the piano. A restatement of the earlier material is combined with a "ripping" riff.

Breathless solos for each instrumentalist bring Four on the Floor to a boisterous conclusion.

— Libby Larsen, 1983

A recording is available for purchase with the album, Circle of Friends, or seperately:


 
Additional Information:

This work is also available for piano and string orchestra through rent at Edition Peters.


Score Errata:
m. 176 Viola 2,Cello 2: sixteenth-note figure should appear on beat 2

Piano Part Errata
m. 78: Last Beat, RH, Last Chord - The A should be an A#
mm. 118 and 121: LH should have C#-B to D-C. It should match measure 116.
m. 128: LH, third note should be a B.
m. 149: LH, last note should be a C.
m. 172: RH, 2nd half of beat 1; the upper note should be F.
m. 183: RH, first beat, last sixteenth-note should be a Bb.