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Chastain, Susan. “A Conversation with Libby Larsen: A Transcription of a Taped Telephone Interview from April 17, 1995.” IAWM Journal 2 no. 3 (1996): 4–7.
 
Cisler, Valerie and Anne Foradori. “Prairie Voices: Art Songs of the American West by Libby Larsen.” Lecture–Recital. Music Teachers National Association Conference. March 26, 2001. Audio Recording Services, Inc. Available from http://www.ars-service.com.
 
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Conner-Bess, Cynthia. “The Use of a Five-Part Lens to Create Musical “Portraits” of the Five Queens in Try Me, Good King by Libby Larsen.” DMA diss., West Virginia University, 2009.
 
Cook, Alicia. “The Evolving Style of Libby Larsen.” DMA diss., Butler University, 1996. Full dissertation available from Butler University.
 
Crall, Deborah B. "Context and Commission in Large-Scale Texted Works of Libby Larsen." Ph.D. diss., The Catholic University of America, 2013.
 
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Day, Angela, “A Performers Guide to Libby Larsen’s Try Me, Good King: Last Words of the Wives of Henry VIII.” DMA diss., Louisiana State University, 2008. Full dissertation available from Louisiana State University.
 
“Double Joy.” The American Organist 18 (1984): 50–51. Available from the American Guild of Organists.
 
Edgley, Mackenzie. "The Evolution of the Tuba Concerto: Significance and Musical Growth Beyond Tubby." PhD Dissertation. Pending.
 
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El-Hai, Jack. “Grand Larsen.” Minnesota Monthly 30 no. 6 (1996): 78–81.
 
Erdmann, Thomas R. “The Difference Between Art and Entertainment, the Importance of Electricity on the Compositional Art, James Brown, and More: A Conversation with the Composer Libby Larsen.” Women of Note Quarterly 8 no. 1 (2000): 1, 3–8.
 
Feldman, Mary Ann. “Larsen [Reece], Libby [Elizabeth] (Brown).” In The New Grove Dictionary of Music and Musicians, 2nd ed., edited by Stanley Sadie. New York: Oxford University Press, 2001. Available from Oxford Music Online(membership required).
 
Ferguson, John. A New Liturgical Year. Minneapolis: Augsburg Fortress, 1997. Available from Ausburg Fortress
 
Fowler, Charles, ed. “Chapter 18: Three Musical Creators. Aaron Copland, Duke Ellington, Libby Larsen.” In Music! Its Role and Importance in Our Lives, 345–53. New York: MacMillan McGraw Hill, 1994. Available through MacMillan McGraw Hill. 
 
Friedberg, Ruth C. and Robin Fisher.American Art Song and American Poetry Scarecrow Press, Lanham, MD, 2012.
 
Fukunaga, Diane. “From ‘The Virgin's Lament’ to ‘Songs of Youth and Pleasure’: The Choral Music of Libby Larsen.” Paper presented at College Music Society Regional Conference, Lexington, KY, 1992. Text of presentation provided by the author.
 
Fuller, Sophie. “Libby Larsen.” In Pandora's Guide to Women Composers. San Francisco: Pandora Press, 1995.
 
Green, Cynthia. “Interview with Composer Libby Larsen.” ILWC Journal June 1992: 24–27. Available through IAWM Journal
 
Hamre, Anna. “Text-Setting in the Choral Music of Libby Larsen.” DMA diss., University of Colorado, 1998. Available from the University of Colorado Music Library (library use only).
 
Harg, Stefan. "An Interview with Libby Larsen." The Clarinet 30, no. 3 (2003): 58–61.
 
Heinrich, Adele. Organ and Harpsichord Music by Women Composers: An Annotated Catalog. New York: Greenwood Press, 1991. Available through Greenwood Press.
 
Hsu, Huei-En. “Understanding Libby Larsen’s ‘Beloved, Thou Hast Brought Me Many Flowers’ A Collection of Love Songs.” DMA diss., Ohio State University, 2011. Full text is available from Ohio State University.
 
Jacque Cattel Press, ed. Who's Who in American Music: Classical. New York and London: R.R. Bowker, 1983.
 
Jorgensen, Estelle R. "Philosophy of Music Education Review. XIX/1 (2011): Composers on Education]." Philosophy of Music Education Review 19, no. 1 (2011): 1–99.
 
Keller, Fred P. "Bringing Music to Life, Teamwork Without a Gannt Chart." Pan Pipes of Sigma Alpha Iota 88 no. 2 (1985): 3–4.
 
Kelly, Jennifer W. "Libby Larsen Composes Love Songs: Five Songs on Texts by Women Poets: An Artist's Identity Informs Her Work." DMA diss., University of California Los Angeles, 2005.
 
Kennicott, Philip. “Text Message.” Opera News 73, no. 2 (2008): 34–35.
 
Kessler, Richard. “Libby Larsen Interview (2/99).” New Music Box: The Web Magazine of the American Music Center. Issue 2, vol. O, no. 5 (2002). Full text of the interview is available through New Music Box.
 
Killam, Rosemary. “Calamity Jane: Strength, Uncertainty and Affirmation.” Women of Note Quarterly 1 no. 3 (1994): 17–25. Available from Women of Note Quarterly.
 
________. “Feminist Music Theories: Process and Continua.” Music Theory Online 0, no. 8 (1994): 1–5.
 
________. “Women Working: An Alternative to Gans.” Perspectives of New Music 31, no. 2 (1993): 230–51.
 
Lambert, Pam. “Orchestrating a Life in Music.” Wall Street Journal, August 9, 1988. Available from the Wall Street Journal
 
Larsen, Libby. “The Art of Composing.” Showcase, Minnesota Orchestra, Minneapolis, MN, March 1983.
 
________. “From the Desk of” Signature 1 no. 2 (1995): 3, 29.
 
________. “Growing Up Creative in America” In Readings in Innovation, edited by Stanley S. Gryskiewicz and David A. Hills. Greensboro, NC: Center for Creative Leadership, 1992. Available through the Center for Creative Leadership.
 
________. “Libby Larsen.” In Composers on Composing for Choir, edited by Tom Wine, 39–68. Chicago: GIA Publications, Inc., 2007. Available from GIA Publications, Inc.
 
________. “Lift Mine Eyes to the Mountains-Psalm 121: In Memoriam Patty Hennings,” In Take Up the Song, edited by Frank A. Farris and Mary Ager, 18–21. Corvallis, Oregon: Earthsongs, 2003. Available from earthsongs
 
________. “The Nature of Music;” Pan Pipes of Sigma Alpha Iota 77 (Winter, 1985).
 
________. “The Role of the Musician in the 21st Century,” NASMProceedings of the National Convention, 1997
 
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Lee, Don. “The Rewards of Adventurous Programming.” The Voice 35, no. 2 (2011). Available from Chorus America.
 
________. Chorus America, "The Art of Setting Text: A Conversation with Libby Larsen and Dale Warland." Last modified 2012. Accessed September 4, 2012. https://www.chorusamerica.org/conducting–performing/art–setting–text.
 
Leeseberg-Lange, Tom. Cross Accent: Journal of the Association of Lutheran Church Musicians 5A, no. 9 (1997): 1–54.
 
Leibel, Jane.“Sonnets from the Portuguese.” Paper presented at Sharing the Voices: The Phenomenon of Singing. III, 2001.
 
Lewis, Jill Terhaar. “Two Song Cycles by Libby Larsen: A Study of ‘Songs From Letters’ and ‘Chanting to Paradise.’” DMA diss., University of South Carolina, 2000.
 
Lewis, Katherine Jean. “Extramusical Elements in Selected Viola Music of Libby Larsen: Representation, Suggestion, and Abstraction.” DMA diss., Rice University, 2010.
 
“Libby Larsen at the MIT Lewis Music Library.” Lecture-Recital, Lewis Music Library, Massachusetts Institute of Technology, Cambridge, MA, March, 2000.
 
Lipman, Samuel. “Chapter One: The Road to Now.” In Arguing for Music, Arguing for Culture, 19–43. Boston: Godine, 1990.
 
Logan, Janice W. “Libby Larsen's Love after 1950, a Song Cycle for Mezzo-soprano and Piano: A Stylistic and Interpretive Analysis.” DMA diss., University of Oklahoma, 2008.
 
Mabry, Sharon. "More Song Cycles by Women Composers." Journal of Singing: The Official Journal of the National Association of Teachers of Singing 56, no. 2 (1999): 45-46.
 
________. “A Woman's Place.” Pan Pipes 87, no. 1 (1994).
 
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Malitz, Nancy. “Song of the Monster,” Opera News, May 1990.
 
Mandeles, Laura Lewis. Keens Company. Americanizing the American Orchestra. Washington D.C.,: American Symphony Orchestra League, 1993. Available from the League of American Orchestras
 
McCleary, Harriet. “The Solo Vocal Music of Libby Larsen.” DMA diss., University of Minnesota, 1992.
 
________. “A Song Cycle by Libby Larsen: ME (Brenda Ueland).The NATS Journal 51, no. 2 (1994).
 
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Milhorn, Tina M. “Music and memoir: Libby Larsen's Settings of First-person Texts by Women. Me (Brenda Ueland); Songs from Letters: Calamity Jane to her Daughter Janey; Try Me, Good King: Last Words of the Wives of Henry VIII.” DMA diss., University of Cincinnati, 2004.
 
Mitternight, Andrea J. “An Original Work: ‘Brothers and Sisters’ and ‘Songs From Letters’ by Libby Larsen: An Analysis.” DMA diss., Louisiana State University and Agricultural & Mechanical College, 2004. Available from Louisiana State University
 
Moorhouse, Linda R. “A Study of the Wind Band Writing of Two Contemporary Composers: Libby Larsen and Frank Ticheli.” DMA diss., University of Washington, 2006.
 
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Nelson, Kirsten Marie. “A Performer's Guide to Published Music for Unaccompanied Solo Bassoon by Women Composers.” DMA diss., University of Georgia, 1997.
 
“New Music for Organ at the End of the Twentieth Century: Works by Libby Larsen.” The American Organist 34 (2000): 76–78. Available from the American Guild of Organists
 
Pace, Nikita Shah. “A Comparative Study of Brenda Ueland’s autobiography Me (Brenda Ueland) to the Song Cycle Me (Brenda Ueland) by Libby Larsen.” DMA diss., The University of North Carolina at Greensboro, 2010.
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Peter, Sandra Kay. “Helping Women Find a Voice: Works for Women’s Chorus by Libby Larsen.” DMA diss., The University of Iowa, 2006.
 
Peterson, G.M. “The Organ Works of Libby Larsen (1975–1990): A Performer’s Analysis.” DMA. diss., University of Iowa, 1995.
 
Peterson, Gregory. "Sacred Music of Libby Larsen." Cross Accent: Journal of the Association of Lutheran Church Musicians 5A, no. 9 (1997): 30-38.
 
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Rainsong, L., “Libby Larsen’s Missa Gaia: A Mass for the Earth.” DMA diss., The Cleveland Institute of Music, 1999.
 
Ravenscroft, Brenda. "'Music as a Mirror': Libby Larsen's Chanting to Paradise." Paper presented at the Queen's University School of Music Colloquium, New Orleans, November 19, 2010.
 
“Reaching the Audience.” Symphony 47, no. 5 (1996): 40–41.
 
“Reflections of Change: A Comparative View of Crawford and Larsen.” ILWC Journal (June 1993): 1–5. Available through IAWM Journal.
 
Robbins, Janet. “The Mysteries of Creation: A Conversation with Libby Larsen.” The Orff Echo 27, no. 4 (1995): 13–15. Available from the American Orff–Schulwerk Association
 
Robinson, Susan Louise Bailey. “Three Contemporary Orchestral Compositions by American Women: A Guide to Rehearsal and Performance for the University Orchestra Conductor.” Ph.D. diss., Texas Tech University, 1991.
 
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Rowe, M.L. “A Poet Revealed: Elizabeth Barrett Browning as Portrayed in Libby Larsen’s ‘Sonnets from the Portuguese’ and Dominique Argento’s ‘Casa Guidi.’” DMA diss., University of Arizona, 1996. Available from the University of Arizona Library
 
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Schwartz, Holly Ann. “Operas by Women in Twentieth Century America.” DMA diss., The University of Texas at Austin, 2008.
 
Secrest, Glenda Denise. “‘Songs from Letters’ and ‘Cowboy Songs’ by Libby Larsen: Two Different Approaches to Western Mythology and Western Mythological Figures.” Journal of Singing 64, no. 1 (2007): 21–30.
 
Shoemaker, Michelle N. “Language, Imagery, and Reference: The Clarinet as a ‘Cultural Vehicle’ in Libby Larsen's Instrumental Music.” DMA diss., New England Conservatory of Music, 2002. Available from the New England Conservatory of Music Library. Also available through the author
 
Siegfried, Abbey Hallberg. “Contemporary American Organ Music: Defining the Compositional Potential of the Pipe Organ in Conversations with Composers.” DMA diss., University of Washington, 2005.
 
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Smith, Charles M. “Eric Hermannson's Soul: Comparing and Contrasting Two Musical Adaptations of the Willa Cather Short Story.” DMA diss., University of Nebraska-Lincoln, 2006.
 
Smith, Larry. “The Choral Music of Libby Larsen and Stephen Paulus: An Examination and Comparison of Styles.” DMA diss., Arizona State University, 1998. Available from the Arizona State University Library
 
Snydacker, Sarah. “The New American Song: A Catalog of Published Songs by 25 Living American Composers.” Ph.D. diss., University of Iowa, 2012. Available from the University of Iowa Library.
 
“A Song Cycle by Libby Larsen: ME (Brenda Ueland).” The NATS Journal 51 no. 2 (1994): 3–8.
 
Speer, Ranall Craig. “The American Composer's Forum and Its Impact on Choral Music in the United States.” DMA diss., Randolph-Macon Women's College, 2001.
 
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Strempel, Eileen L. “The Dramatization of Desire: Libby Larsen's Voice of Love in the Sonnets from the Portuguese.” Journal of Singing: The Official Journal of the National Association of Teachers of Singing 59, no. 3 (2003): 221–27.
 
________. "Longing for the Voice: Song Settings of E.E. Cummings." Journal of Singing: The Official Journal of the National Association of Teachers of Singing 69, no. 3 (2013): 267–76.
 
________. “Try Me, Good King: Last Words of the Wives of Henry VIII: Libby Larsen's Royal Portraits of Song.” Journal of Singing 64 no. 1 (2007): 11–20.
 
Thomas, Laurel Ann. “A Study of Libby Larsen's ME (Brenda Ueland): A Song Cycle for High Voice and Piano.” DMA diss., University of Texas at Austin, 1994.
 
Toff, Nancy. The Flute Book: A Complete Guide for Students and Performers, 2nd ed. New York: Oxford University Press, 1996. Available from Oxford University Press
 
Tuttle, Ray. “Composer Libby Larsen: Letting the Music Speak for Her.” Fanfare Magazine, May, 2001. Available from the Fanfare Magazine Archive(membership required).
 
Von Glahn, Denise. Music and the Skillful Listener: American Women Compose for the Natural World. Bloomington: Indiana University Press, 2013.
 
Washington, Shelise Nicole. “The Larsen Motive: A Survey of Motivic Usage in Libby Larsen’s Corker, Slang, and String Symphony, III.” Master’s thesis, The University of Tennessee, Knoxville, 2014.
 
Webster, Peter Richard and David Brian Williams. Experiencing Music Technology: Software, Data, Hardware. New York: Schirmer, 1996.
 
Wheatley, Susan. “Music by Libby Larsen: Songs from Letters: Calamity Jane to her Daughter Janey, 1880–1902; Overture for the End a Century.” IAWM Journal 2 no. 3 (1996): 30–31. Available through IAWM Journal.
 
Wheatley, Susan and Sarah Mantel. “Reflections of Change: A Comparative View of Crawford and Larsen.” ILWC Journal (1993): 1–5.
 
Whipp, Dawn L., “Parachutes & Symphonies: Three Orchestral Works of Libby Larsen.” Master’s thesis, University of Colorado, 1998. Available from the University of Colorado Music Library(library use only).
 
Whitesitt, Linda. “Journeys; Orchestral Works by American Women (Review of).” American Music: A Quarterly Journal Devoted to all Aspects of American Music and Music in America 7, no. 4 (1989): 482–84.
 
Williams, Laura. “Libby Larsen’s Seven Ghosts: A Stylistic and Gestural Analysis.” Master’s thesis, University of Akron, 2012. Available from the OhioLINK ETD Center.
 
Wisuthseriwong, Christy L. “Libby Larsen’s De toda la eternidad: Creating Infinity Through the Words of Sor Juana Inés de la Cruz.” DMA diss., Guilford College, 2011.
 
 “Women Working: An Alternative to Gans.” Perspectives of New Music 31 (1993): 230–251. Available through JSTOR (membership required).
 
 “Words and Music: Cather and Larsen, ‘The Margaret Songs.’” In A Prairie Mosaic: An Atlas of Central Nebraska's Land, Culture and Nature, edited by Steven J. Rothenberger and Susanne George-Bloomfield, 144–51. Kearny, NE: University of Nebraska at Kearney, 2000.
 
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Originally compiled by Dr. Michelle N. Shoemaker, August 2002.

Bibliography